Posted in Uncategorized

Ismay Leaves Behind Dopamine and Ranch Life for the Real World on Desert Pavement

Ismay is ready to face the real world. The non-binary ranch hand turned folk singer may have spent a lot of time with animals and streaming television during the pandemic, but they’re now fully focused on a music career and learning how to cope with well, everything. 

Desert Pavement makes a strong argument for trading in vices and isolation for genuine experiences. It comes with an appropriate overhaul of Ismay’s sound. What on previous releases used to be almost monasterial finger picking has become more accessible strumming. If Ismay means to encourage more interaction with others, that’s a strong first step. 

It’s also an album deeply rooted in nature and ranch life, which makes sense for someone who spent a decade working more closely with animals than fellow people. One of Ismay’s great strength is capturing an animal’s point of view, be it the nervous shrew, curious raccoons, or shy coyote. That level of understanding makes them full characters in a song and turns something oriented in observation into relatable actions

“When you work on a piece of land you have to understand what you’re surrounded by from its own perspective in order to know what you’re doing,” Ismay said during a WUSB interview.   

Ismay takes a similar route to understanding people. Interestingly it was reading about dopamine that sent them in the direction Desert Pavement ultimately took. Ismay came to realize just how unnatural smartphones and instant gratification has made modern life and how much we rely on vices to numb discomfort. 

They explained that while everyone is entitled to some enjoyment, something becomes a vice when it’s used to fuel disengagement. Ismay used their own love of television comedies as the basis for “Streaming Family,” which showed someone relying on the company of a work of fiction instead of actual people. 

“We’re isolating ourselves and numbing our feelings it’s because it’s overwhelming to accept and address the complexity of the real world,” Ismay said. “I think that we nowadays don’t spend as much time with other people or being bored. We don’t spend enough time allowing our emotional waves going up and down. I have to be more willing to deal with the emotional roller coaster of being a person.” 

It speaks to how developed Ismay’s ideas were that they also included somewhat of a counter argument on the album. Some characters, especially the shrew becoming exposed to predatory birds and the family encountering a “Stranger in the Barn” are going to face genuine danger in the process of opening themselves up to the real world. Sure most of it will come in the form of stress and disappointment and we as people don’t have to worry about birds swooping down the eat us, but the discomfort can be real. It’s something Ismay certainly understands as an artist who’s performed before audiences and a panel of reality show judges. 

“I’m not really the most intrinsically confident person,” Ismay said. “Getting to see myself on those platforms talking about my lack of confidence was an opportunity for me to realize that I had to move past these insecurities and grow into the person that I really wanted to be.”

“Stranger in the Barn” winds up being about a drifter who just needed some shelter and was friendly to his unwitting hosts. The song is a parable meant to show that the unknown isn’t always scary, but even people without social anxiety know that situation can end up badly.  

“I would hope that my best self would go out and deescalate the situation, but I’d probably freak out,” Ismay admitted.  

Luckily there is, for most of us a place between befriending intruders and relying on the canned laughter of a sitcom for company. A place that can grant us the enjoyment a vice brings without relying on it to the point we can’t ride the wave. And while Desert Pavement points quite clearly to those lessons, I’d urge listeners to take note of the way understanding the perspectives of ranch animals makes for rich, positive interactions. That might have some applications for people too. 

Above is the full episode as aired on WUSB’s Country Pocket, including both my interview with Ismay and the songs we discussed, starting with The Dove, the Shrew, & the Raccoon, which does a pretty good job of capturing animal personalities. The interview begins with the second video in the playlist. You can hear the show live every Monday at 11am on WUSB 90.1 FM or check the blog to watch it as a YouTube playlist. Visit http://www.WUSB.fm and https://www.ismaymusic.com for more.

Unknown's avatar

Author:

I host Country Pocket on WUSB Stony Brook 90.1 FM. Content from the show will appear on countrypocketwusb.com

Leave a comment