Creekbed Carter Hogan pulls off many transformations on his self-titled album. One minute he’s imagining that he’s a gun or an apiary and the next he’s a scorpion or tumbleweed. While it’s not unusual for a songwriter to step outside themselves and take on another perspective to tell someone else’s story, Hogan seems to be diving deeper into his own and his relationship with the world around him.
“If I Was” is a hypnotic heartbreaker that quite reasonably imagines he’d be given more care and value as items like a gun, a coin, or a doll. It’s a completely reasonable assumption on both a personal and societal level. Laws and rulings in recent years have shown immense preference for the rights of guns, gender norms, and big money, especially when compared with a trans Texan. But there’s also a smaller scale truth to be gained here. We all know the hobbyist who devotes a little too much time to loving something that can never truly love them back. Say, an impressive folk music collection. It can’t feel good to be the human being also vying for their attention. Hogan wrote the tune with his father in mind.
“It’s a very capitalist relationship,” he said. “As long as I’m a product that can do what he wants me to do and be what he wants me to be, we have a relationship. But when I’m not doing those things, there is no value for me. It’s a very cold way to describe it and it’s a very cold feeling.”
“Lord, Make Me A Scorpion” relies on a similar device. Hogan asks for divine intervention to get over someone. He sees strength and the ability to move on in the desert environment around him. It’s a ruggedness that few introspective folkies possess, but the observations are gorgeous. A thunderstorm as a good cry. A rattlesnake as a fresh start. It absolutely works as the most traditional song on the album. Hogan thanked teachers in their life for helping them see value in everything.
“They taught me to see beauty and communication and language and interest and value in everything.” Hogan said. “I think a lot of that is indigenous knowledge. As a white person who grew up in Oregon, there were animals that were good and animals that were bad. You were afraid of the bad animals and protected the good animals. When I think about scorpions and rattlesnakes, they’re extremely beautiful objectively. They’re so interesting, they’re so resilient. I think being curious about the world is how you find value in everything.”
“Sycamore” feels like the most personal track on the album. The trans songwriter discusses the struggles of trying to conform to gender roles for the sake of others with a delicate touch vocally. It’s a powerful contrast between the first “prayed for the day to be over” to the last “form of eternity.” The former is perhaps sweeter and more feminine than Hogan usually presents and the latter is a beautifully placed sour note, perfectly imperfect. Queer folk fans are going to feel that growth and share in the joy.
“I actually think most of us are outside in some small way.” Hogan said. “I think people are more related to each other in terms out outsiderness than they realize. That fear that someone will discover that outsider quality and lock you out for good is what keeps people separate. I think writing and performing Sycamore is a way for me to present my very small thing at the feet of everyone else and to try as hard as I can to invite them to find their small thing and bring it to the table.
Creekbed Carter is certainly a more interesting album because there’s another role Hogan plays quite comfortably: the quirky humorist. “Through With Lovin’” is almost more comedy act than musical performance with its silly lyrics, tempo changes, and ability to skewer both form and self. “The Relic Song” is a similarly-styled history lesson that takes aim at the medieval church. Hogan grants the corrupt practices a measured amount of legitimacy while throwing in a Pokemon reference. There’s definitely some provocative intent behind this one, but it’s lighthearted enough to only offend those looking to be offended. The two tracks are certainly outliers in terms of the tone and depth of the album but are almost perfect for closing out a radio hour with a laugh.
Above is the full episode as aired on WUSB’s Country Pocket, including both my interview with Creekbed Carter and the songs we discussed, starting with If I Was, which has some profound and upsetting things to say about value. The interview begins with the second video in the playlist. You can hear the show live every Monday at 11am on WUSB 90.1 FM or check the blog to watch it as a YouTube playlist. Visit http://www.WUSB.fm and https://www.creekbedcarter.com for more.
Country Pocket 